Thoth Trio – 12.10.16 – The Space Upstairs, Pittsburgh, PA

Thoth Trio

Ben Opie – saxophone
Paul Thompson – bass
Dave Throckmorton – drums

My reality over the past month or so has been, and continues to be, completely and utterly turned upside down.  I feel like a hole has been torn in my basic understanding of everything.   Never in my 37 years on this planet have I felt so fearful, uncertain, angry, and disgusted.  This blog was never intended to discuss anything political whatsoever but it now completely permeates our reality whether we want it to or not.  I’m currently split between taking the all-in activist route and the total opposite, which would be turn it off and to completely escape and mentally remove myself from this current mess as much as possible.  FUCK.

With that being said, it is now more comforting than ever to be in a place and around people who see the world in a similar way or at least in a way that involves some sort of sanity or integrity.  And what is even better than that is to be in a place with these kind of people experiencing something absolutely beautiful, imaginative, and unique. Saturday night was one of these precious moments.

Thoth Trio, a band covered pretty heavily on this blog, was the musical guest for this month’s edition of Second Saturdays, which is a monthly event hosted by Pittsburgh’s The Pillow Project.  The Pillow Project describes themselves as being all about creating and investigating new ideas in a post-jazz improvisation and challenging how dance and performance is experienced“.  These “happenings” are held in a great loft space called The Space Upstairs above Construction Junction in Point Breeze.  I’d been to one of these a couple of years ago, so I had an idea of what it was all about.  The space and the event have a sort of 1960’s, artsy, counterculture, beatnik, hidden/secret/forbidden kind of vibe with people hanging out on couches, bar stools, on the floor, wherever. Basically, as the music starts, or sometimes even half way into a piece, dancers will appear in the center of the large room seemingly from nowhere to interact spontaneously with the music and with each other creating a truly unique experience.  Personally, being as though Thoth is my favorite band in town, I was there for the music.  But the dancers, undeniably, add a certain whimsy to the whole thing, especially when dancing in front a huge projection of falling snow.

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Thoth Trio w/ The Pillow Project – 12.10.16 – The Space Upstairs

Thoth Trio has the ability to go from a ferociously blazing sax solo to almost complete silence to a deep drum and bass groove (and anywhere in between and back again!) extremely effortlessly, so their music fit into the vibe of this event really really well. The video above is a clip from Thoth’s own “Carbon 60” from their second set, which was a request by guitarist Josh Wulff.  Wulff is part of a another project entitled Sound/Unsound Trio with Ben Opie and Throck. Ben had mentioned that they have a release on the way.  We here at Jazz Orbits will be eagerly awaiting that one.

Tomas Fujiwara + Thoth Trio + Thumbscrew = AMAZING Weekend!!!

This past weekend in Pittsburgh was some sort of anomaly or like a glitch in the matrix.  Not only do incredible jazz shows rarely happen around here these days, they almost never take place within one 48 hour period. But this was the case here beginning with a Mary Holvorson solo set on Friday and culminating in a killer Sunday night finale by Halvorson’s trio, Thumbscrew.

Pittsburgh’s City of Asylum had brought in a bunch of incredible musicians and poets over the last few weeks to celebrate the opening of their new Alphabet City mixed use venue in the North Side. Unfortunately, the building is not yet finished.  But, fortunately for all of us music lovers, the shows weren’t cancelled but were just moved to their outdoor Alphabet City Tent.  Knowing that there was no way I’d be able to attend everything happening this weekend, I chose to skip the Mary Halvorson solo set (as well as Rakim at VIA Fest).  I’m sure it was amazing but solo sets are not really my favorite type of shows and I knew I’d get to see her play on the next two evenings.

Saturday night’s show was by drummer Tomas Fujiwara and his project called The Hook Up.  The Hook Up consists of Tomas along with Michael Formanek on bass, Mary Halvorson on guitar (all of which are also in Thumbscrew) along with saxophonist Brian Settles and special guest Dave Ballou on trumpet.  This show was nothing short of amazing.  I really enjoyed the variety of moods and energies throughout the set.  At one point early in the set they broke it down to just drums and sax.  It was so intimate and beautiful that a nearby cricket’s chirping became part of the piece.  For me it was truly one of those, “THIS is why is love live music!” moments.  After the show, a friend I was with said something about this being one of the best performances of any kind that he had ever seen.  Pretty bold statement but certainly hard to argue with.

The next day, after watching the first half of the Steelers’ game, I took a ride out to Dormont in the South Hills.  I lived near there several years ago but hardly ever go back these days.  So, just the drive out there was kind of a surreal experience. It takes a good reason for me to make the journey through the Liberty Tubes and on this day, the reason was to see my favorite band in Pittsburgh, Thoth Trio, play at the Hollywood Theater.  This event had the trio playing a live soundtrack to some of Buster Keaton‘s silent films.  To be honest, I would have gone out there for Thoth alone.  Due to the Thunderbird being remodeled, they’ve hardly played out at all lately. But I was blown away by how entertaining this show was overall.  My initial focus, possibly because of the great acoustics in the room, was almost entirely on the band to the point where I found myself closing my eyes and just listening…only to realize that a movie was being shown on the screen.  Then there were moments when I kind of got lost in the film.  It was truly the kind of blissful, escapist experience that I look for in a show.  The kind of thing where you can get completely removed from reality for an hour or so.

Somehow, after all of this, there was still another show to go to.  Thumbscrew (Halvorson, Formanek, Fujiwara) were closing City of Asylum’s month of jazz and poetry with a set at 7:00.  As I’ve written about here before, the trio took part in a residency last year where they stayed in Pittsburgh for two weeks writing, performing, and recording music. So it was very cool to get to see them revisit the exact place where their most recent album, Convallaria (Cuneiform Records 2016), was written and to perform several of those tunes again. I knew what to expect from this one and they certainly delivered. I’d really like to thank the people from City of Asylum, all of the musicians I just mentioned, and the people that book the Hollywood Theater in Dormont for a wonderful and unforgettable weekend.

 

 

 

Thoth Trio – 6.17.14 – Thunderbird Cafe, Pittsburgh, PA

Thoth Trio

Ben Opie – saxophones/electronics
Paul Thompson – bass
Dave Throckmorton – drums

Thoth Trio was back at the Thunderbird Cafe last night with a different, yet familiar, vibe.  The trio has described itself as “intense acoustic jazz”.  Well, last night Thoth Trio played intense electric jazz!  It was also moody, funky, playful and everything in between.  Ben Opie has incorporated electronic effects, samples, noise, etc. into his other projects, Flexture and OPEK, over the past few years and has now decided to bring them on board for Thoth as well.  Bassist Paul Thompson also went electric last night.  Fortunately, Throck did not (not that I’d necessarily mind hearing Throck throw down one of those high end Roland electronic kits just once)!

The electric setup worked well.  It didn’t change the sound so much that it didn’t sound like Thoth, yet it allowed Ben to fill more space and for PT and Throck to deepen the groove.  During the set, I wondered if the trio has considered taking this electric setup into the studio for a new record (fingers crossed).  Their last release was 2008’s Thoth Speaks, which represents the group really well and one that I’ve listened too and enjoyed many many times.  I highly suggest checking out (purchasing!) Thoth Speaks, as well as their debut, Apropos of Nothing (2004).  The video above is a take on a Thoth Trio original entitled “Fenya” from the Thoth Speaks CD.  Enjoy.

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Thoth Trio – 2.25.14 – Thunderbird Cafe, Pittsburgh, PA

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Thoth Trio

Ben Opie – saxophone
Paul Thompson – bass
Dave Throckmorton – drums

Last night’s Space Exchange was the first one I’ve been to in a while.  Actually, it’s the first show of any kind that I’ve attended in quite some time.  The weather this winter has been awful and has not motivated me to leave the house much.  But I hadn’t seen Thoth Trio in over a year and I wanted to hear some live jazz.

The “Thoth” in Thoth Trio comes from the first letters of the musicians’ last names, THompson, Opie, THrockmorton.  (I somehow just figured that out last night!)  As I’ve said on the blog before, this trio is probably my favorite jazz group in town.  I love all of the configurations that these guys play in (OPEK, Flexure, Throckmorton Quartet), but Thoth just kills every time.  Last night was no exception.  This may have been only the 2nd or 3rd Space Exchange night where I’ve actually stayed for the entire performance.  And as a perfect close to that performance, the band honored my request for Sonny Clark’s “Voodoo” and it was fantastic.

Here’s a video I shot in the 2nd set.  Enjoy!