Jazz Live International Festival 2017 – Pittsburgh, PA

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This year’s edition of Pittsburgh’s annual Jazz Live International Festival happened last weekend.  There were actually a few people I wanted to check out once again this year and even though I missed Roy Ayers, which was a huge letdown, I did manage to make it down to see a few things on Sunday.  Last year, I decided that the best way for me to cover my experience at Jazz Fest is to make sort of a list of thoughts/comments/observations in no particular order.  Here we go…

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Chico Freeman‘s set was good, but it was more traditional than I expected.  I’m not sure why I expected a more adventurous set of tunes. Maybe it was because I knew Freeman had recorded some records in the late 70’s?  Unfortunately, during his set, the heat was a distraction. It was HOT! People were pretty much crowded within any shady area that could be found.  Half of those people found a good use for their program brochure and fanned themselves through the entire performance.  I always hate it when the first thing that comes to mind regarding a musical performance was something completely unrelated to the music. But sometimes it’s just hard to ignore. But his set was cool.  I love the vibraphone and Warren Wolf sounded great.

The Bad Plus were really good.  This was my first time seeing these guys. I don’t always like piano trios, but sometimes the format can really be put to great use.  I dug their intensity and sense of humor. Also, I may have just gotten accustomed to the heat by that point because it seemed to be not as much of an issue.

Tia Fuller was a pleasant surprise.  After a surprisingly quick tear down and setup, her set followed The Bad Plus’s on the same stage.  I honestly had no idea who she was and would have guessed she was a vocalist based on my knowledge of the past booking tendencies of this festival.  Shame on me.  Tia is a incredible saxophonist who led her quartet through a wide variety of material.  Despite (or maybe partly due to?) the heavy rain during her set, I really enjoyed it. It was a nice soundtrack for watching my daughter and a friend splash around in the puddles. And I really do love musical surprises so this was a nice treat.

• After a short trip home, I was able to make it back downtown for Hudson’s set.  Hudson is a “super group” quartet made up of John Scofield on guitar, John Medeski on keys, bassist Larry Grenadier, and legendary drummer Jack DeJohnette.  The set, just like their new self-titled album, was full of interpretations of classic rock tunes.  While most were instrumental, a few featured a verse or two by DeJohnette.  These guys seemed to be having alot of fun with this material.  It seemed fairly loose and unrehearsed which, to me, is an ideal scenario for audience to experience a group of players like this. Highlights include The Band’s “Up On Cripple Creek”, a beautiful take on Hendrix’s “Castles Made of Sand” (video above), and a perfectly timed “A Hard Rain’s A-Gonna Fall” which came, you guessed it, right as the rain moved back in to soak the audience.  The crowd for this set, which seemed slightly younger and more on the “jam band” side of the jazz world, was having a great time at this.  So much so that when the band finished at about 8:25, nobody (myself included) wanted to leave.  John Medeski had to come back on stage and say something like, “We’d love to play for you all night! But there is a curfew and we have to go. Good night!”

• As I’ve been saying for several years now, this festival could use some more variety. It’s hard to complain about a festival that is totally free without sounding like an asshole. But…….”Jazz” is a really loose term and a wide variety of music falls under it’s umbrella.  I feel as though this festival is still geared toward an older audience.  It’s hard to tell if the audience that shows up to these year -after-year are older BECAUSE of the music on display or if the acts brought in are catering to an predetermined/anticipated older audience?

• One of these years, I’m going to literally attend the entirety of one of these festivals.  Like really do it right with the fold-up chair, maybe a cooler full of beer & water, and just see every single act…even ones that I don’t particularly enjoy. Someday.

• For another (and much more in depth and well written!) report on the festival, be sure to check out Mike Shanley’s blog.  I ran into Mike during the aforementioned sweltering Chico Freeman set. He was there earlier than me and caught some things that I missed.

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