Peter Evans – trumpet
Mazz Swift – violin
Sam Pluta – live electronics
Ron Stabinsky – piano, synth
Tom Blancarte – bass
Levy Lorenzo – percussion, live electronics
Jim Black – drums, electronics
Last evening, I went to check out trumpet player Peter Evans and his septet at the Warhol Museum. I really like the small theater/auditorium there and I’ve seen a few pretty incredible sets over the past few years. The set last night was another to add to the list.
The most intriguing and over-arching element throughout the whole set, to me, was the combination/mixing/blending/balance of acoustic instruments and electronics. This was obvious from the very beginning of the continuous 50 minute set. Mazz Swift (violin) and Sam Pluta (electronics/modular synth/laptop) started together for at least a couple of minutes before any other members played a single note. It was like simultaneously looking into the past as well as at a version of the future as depicted in sci-fi movies. I thought it was somewhat fitting that the bass player wore a Star Wars t-shirt. Some of the sounds created by Pluta throughout the night definitely approached R2D2 territory. And I mean that in the best way possible. At certain points within the set, one side of the ensemble would sort of take over the other (electro vs. acoustic), but they would always come back to a beautiful and interesting blend.
I really dug this show. It was one where I found myself closing my eyes and just absorbing the sound in the room and it felt really nice. I’m not always the best at describing music or musical performances in a very technical or even interesting way. It’s really all inside my head and difficult to put into words. But, I like shit like this that makes me think about things like good/evil, past/future, yin/yang, chaos/bliss, etc etc etc. There were two shows I wanted to attend this week but I could only pick one. Since I’ve seen Charlie Hunter a bunch of times (playing Club Cafe on Saturday btw), I’m really happy I got to see something new and truly unique.