Pittsburgh Jazz Live Int’l Festival 2016

As luck would have it, I found myself with plenty of free time this past weekend.  I don’t have many days when I’m able to have very little-to-no responsibilities.  And if I do, there’s almost never a jazz festival going on ten minutes from home!  I don’t know if the lineup was better this year or if I’ve just adjusted my expectations, but I felt like there were a definitely a few acts I wanted to see.  I’ve been critical of the lineups over the past few years of the Jazz Live International Festival, it’s still far from amazing, but I can certainly say that this year felt like it was possibly better than the last couple.

The people/bands that interested me most were Nu Grid, Jeff “Tain”Watts, Vijay Iyer & Wadada Leo Smith, and Pittsburgh’s own Brett Williams. Somehow, I was able to catch all of these acts over the course of two days.  The only thing I wanted to see but missed was another local guy, bassist Tony DePaoulis’ Contemporary Dynamic, who was just finishing up when I got downtown on Saturday.

The whole festival seemed very well documented (cameras, video, press, other well known and more eloquent jazz bloggers), so I don’t feel that it’s necessary for me to elaborate too greatly.  So, aside from the usual photos and videos, I’m going to try something different and list some random thoughts/observations…

  • The weather was awesome.  A bit on the hot side, but sunny and no rain.
  • Nu Grid was cool.  Vernon Reid on guitar.  DJ Logic on turntables.  All improvised.  Guitarist Jean-Paul Bourelly said something that stuck with me.  Something like, “Remember…improvised music is an expression of MODERNITY, not nostalgia.  Modernity!”  I don’t think this is a word-for-word quote.  But, that statement directly spoke to something that is missing from all too many jazz shows.  Great vibe.  Cool set.  I dug it.
  • Vijay Iyer and Wadada Leo Smith (piano & trumpet w/ minimal electronics/looping) sounded really really good.  This is the kind of delicate music that requires your full attention. I wish the social element hadn’t taken over and that I could have listened much more intently.
  • The beer in the beer garden was pretty pricey at $8 a piece.  Plus you had to keep drinks within the fenced-in area. So I only had one in there.
  • I didn’t want to stop at the pop-up vinyl tent where several vendors were selling used records.  I REALLY didn’t want to spend any money but I had to buy a couple of things I’ve never seen before (including a Curtis Fuller LP on Mainstream) and, ultimately, I’m glad I did.
  • I was surprised that so many people left the Tain Watts set to go camp out in front of the stage where Chick Corea was about to play, missing much of Tain’s set.  The audience ended up being so large and dense for Chick Corea’s set that I could hardly hear the trio (featuring Christian McBride and Brian Blade) from where I was standing in back.  This made me wonder where the hell all of these “jazz fans” are/were at other jazz shows throughout the year (i.e. Space Exchange, City of Asylum shows, Manny Theiner’s avant/free jazz shows, etc).  The large crowd also resulted in me leaving about two songs into Corea’s set.
  • Brett Williams‘ homecoming set on Sunday was great.  He had recently left Pittsburgh to move to New York.  Seems like he and his group are experimenting with things a little (bass keys, electronic drums pads, etc).  He said he’s raising money for a new record.  I’m excited to see where his career is heading.

Here are a few short videos from the weekend.  Enjoy!

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